Yet, culture remains abstract, vast, and silent.
The only way to truly engage with it is through personal and human-centered expression. For me, this took form in art and media - my most dedicated pursuits.
Since then, I have used art and media as powerful tools for articulating my perceptions of culture, shedding light on its often-overlooked dimensions and celebrating the hidden narratives embedded within. It all started with the Chữ Mây Project - my whole-hearted mission of embracing the cultural beauty of the H’Mong and bridging the gap between majority and minority ethnics within Vietnam. Otherwise, TA_TO hits differently: this small business tends to exploit an uncommon aspect of Vietnamese culture - the folk street tattoo artistry - and freshen the perception of it in generations, giving it a rebirth. Recently, I have been diligently working on pearl mosaic, reserved rhyme or traditional literary play - all of these fragments keep deepening my sense of cultural belonging, while spontaneously contributing to actively reshape the view of society on culture.
Perhaps that is why I often see myself as a cartographer, reconstructing the abstract definition of Vietnamese culture through my unique sense and perception, navigating it in a positive, adaptive way.